PERUGINO, Pietro
Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,

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PERUGINO, Pietro The Madonna between St. John the Baptist and St. Sebastian oil painting


The Madonna between St. John the Baptist and St. Sebastian
1493 Oil on panel, 178 x 164 cm
Painting ID::  32449
PERUGINO, Pietro
The Madonna between St. John the Baptist and St. Sebastian
1493 Oil on panel, 178 x 164 cm
   
   
     

PERUGINO, Pietro The Presepio oil painting


The Presepio
1498 Fresco, 264 x 225 cm
Painting ID::  32450
PERUGINO, Pietro
The Presepio
1498 Fresco, 264 x 225 cm
   
   
     

PERUGINO, Pietro Prudence and Justice with Six Antique Wisemen oil painting


Prudence and Justice with Six Antique Wisemen
1497 Fresco, 293 x 418 cm
Painting ID::  32451
PERUGINO, Pietro
Prudence and Justice with Six Antique Wisemen
1497 Fresco, 293 x 418 cm
   
   
     

PERUGINO, Pietro Saint Flavia oil painting


Saint Flavia
1495-98 Wood
Painting ID::  32452
PERUGINO, Pietro
Saint Flavia
1495-98 Wood
   
   
     

PERUGINO, Pietro Saint Placidus oil painting


Saint Placidus
1495-98 Wood
Painting ID::  32453
PERUGINO, Pietro
Saint Placidus
1495-98 Wood
   
   
     

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     PERUGINO, Pietro
     Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,

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